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 | | The Cinema of Apartheid: Race and Class in South African Film
by Keyan G. Tomaselli
Paperback, 300 Pages, Published 1988 by Smyrna Pr
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 | | Where Global Contradictions Are Sharpest: Research Stories from the Kalahari
by Keyan G. Tomaselli
Paperback, 160 Pages, Published 2005 by Rozenberg Publishers
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 | | Currents of Power: State Broadcasting in South Africa (Critical Studies in African Media & Culture, 1)
by Ruth Teer-Tomaselli (Editor), Keyan G. Tomaselli (Editor), Johan Muller (Editor), Ruth Tomaselli (Editor)
Paperback, 227 Pages, Published 2001 by Intl Academic Pub
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 | | Cultural Icons
by David Scott (Editor), Keyan G. Tomaselli (Editor)
Library Binding, 172 Pages, Published 2008 by Left Coast Press
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 | | Appropriating Images: The Semiotics of Visual Representation
by Keyan G. Tomaselli
Paperback, 349 Pages, Published 1999 by Continuing Education Press (University of Nottingh
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 | | Media, Democracy and Renewal in Southern Africa
by Keyan G. Tomaselli (Editor), Hopeton S. Dunn (Editor)
Paperback, 310 Pages, Published 2001 by Intl Academic Pub
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 | | The South African Film Industry
by Tomaselli Keyan G
Paperback, Published 1981 by University of The Witwatersrand
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 | | Film and video as cultural resistance in South Africa
by Keyan G Tomaselli
Unknown Binding, Published 1986 by African Studies Association
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 | | Visual images of South African communities (African studies seminar paper)
by Keyan G Tomaselli
Unknown Binding, Published 1984 by University of the Witwatersrand, African Studies Institute
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 | | Perspectives on the teaching of film and television production
by Keyan G Tomaselli
Unknown Binding, 96 Pages, Published 1982 by Rhodes University Print Unit
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