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 | | Drawing the Line: The American Decision to Divide Germany, 1944-1949
by Carolyn Woods Eisenberg
Hardcover, 538 Pages, Published 1996
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 | | Boundaries of the Self: Chinese Portraits, 1600-1900
by Richard Vinograd
Hardcover, 207 Pages, Published 1992
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 | | Drawing and Painting in the Italian Renaissance Workshop: Theory and Practice, 1300-1600
by Carmen Bambach
Hardcover, 576 Pages, Published 1999
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 | | The Arts of Collecting: Padre Sebastiano Resta and the Market for Drawings in Early Modern Europe
by Genevieve Warwick
Hardcover, 304 Pages, Published 2000
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 | | Making Art Safely: Alternative Methods and Materials in Drawing, Painting, Printmaking, Graphic Design, and Photography
by Merle Spandorfer
Hardcover, 255 Pages, Published 1992
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 | | Hybrid Drawing Techniques by Contemporary Architects and Designers
by M. Saleh Uddin
Hardcover, 192 Pages, Published 1999
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 | | Borrowed Design: Use and Abuse of Historical Form
by Steven Heller, Julie Lasky
Hardcover, 182 Pages, Published 1993
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 | | The Writings and Drawings of Leonardo da Vinci: Order and Chaos in Early Modern Thought
by Robert Zwijnenberg
Hardcover, 240 Pages, Published 1999
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 | | The drawings of George Caleb Bingham, with a catalogue raisonne
by E. Maurice Bloch
Paperback, 272 Pages, Published 1975
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 | | Drawing in England from Hilliard to Hogarth
by Lindsay, & Christopher White. Stainton
Hardcover, 256 Pages, Published 1987
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