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 | | Basic Musicianship
by Leland Bland
Paperback, 211 Pages, Published 1989
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 | | Concept and Design in Music: A Comprehensive Approach to Theory
by Robert W. Sherman
Paperback, 608 Pages, Published 1988
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 | | Music and Theatre in France 1600-1680
by John S. Powell
Hardcover, 616 Pages, Published 2000
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 | | Reading Renaissance Music Theory: Hearing with the Eyes (Cambridge Studies in Music Theory and Analysis)
by Cristle Collins Judd
Hardcover, 329 Pages, Published 2000
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 | | The Piece as a Whole: Studies in Holistic Musical Analysis (Contributions to the Study of Music and Dance)
by Hugh Aitken
Hardcover, 136 Pages, Published 1997
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 | | Number to Sound - The Musical Way to the Scientific Revolution (THE WESTERN ONTARIO SERIES IN PHILOSOPHY OF SCIENCE Volume 64)
by Paolo Gozza, P. Gozza (Editor)
Hardcover, 336 Pages, Published 2000, 1 Edition
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 | | The Science of Musical Sounds (Cognition and Perception) (Cognition and Perception)
by Johan Sundberg, Edward C. Carterette (Series Editor)
, Morton P. Friedman (Series Editor)
Hardcover, 194 Pages, Published 1991, 1 Edition
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 | | Stereophonic Sound Recording: Theory and Practice
by Christian Hugonnet, Pierre Walder
Hardcover, 291 Pages, Published 1998
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 | | A Double Garland: Poetry and Art-Song in Early Nineteenth Century Russia (SRLT)
by Thomas P. Hodge
Hardcover, 332 Pages, Published 1999
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 | | Language, Music, and the Sign: A Study in Aesthetics, Poetics and Poetic Practice from Collins to Coleridge
by Kevin M. Barry
Hardcover, 256 Pages, Published 1987
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