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Books
271-280
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 | | Licensing, Censorship and Authorship in Early Modern England: Buggeswords
by Richard Dutton
Hardcover, 240 Pages, Published 2001
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 | | The Economics of the British Stage 1800-1914
by Tracy C. Davis
Hardcover, 524 Pages, Published 2000
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 | | Theatre in the United States, Vol. 1: 1750-1915, Theatre in the Colonies and the United States
by Barry B. Witham (Editor)
Hardcover, 256 Pages, Published 1996
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 | | The Theatre Team: Playwright, Producer, Director, Designers, and Actors (Contributions in Drama and Theatre Studies)
by Jeane Luere (Editor)
, Sidney Berger (Editor)
Hardcover, 192 Pages, Published 1998
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 | | The Revisionist Stage: American Directors Reinvent the Classics (Cambridge Studies in American Theatre and Drama)
by Amy S. Green
Hardcover, 240 Pages, Published 1994
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 | | From Text to Performance in the Elizabethan Theatre: Preparing the Play for the Stage
by David Bradley
Hardcover, 283 Pages, Published 1992
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 | | Shakespeare Companies and Festivals: An International Guide
by Ron Engle (Editor)
, Felicia Hardison Londre (Editor)
, Daniel J. Watermeier (Editor)
Hardcover, 624 Pages, Published 1995
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 | | Gender and the Italian Stage: From the Renaissance to the Present Day
by Maggie Günsberg
Hardcover, 287 Pages, Published 1998
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 | | Convent Theatre in Early Modern Italy: Spiritual Fun and Learning for Women (Cambridge Studies in Italian History and Culture)
by Elissa B. Weaver
Hardcover, 320 Pages, Published 2002
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 | | Modern French Drama 1940-1990
by David Bradby
Hardcover, 345 Pages, Published 1991, 2 Edition
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