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 | | Advanced Acting: Style, Character, and Performance
by Robert Cohen
Hardcover, 272 Pages, Published 2001, 1 Edition
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 | | Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France
by Timothy Murray
Hardcover, 304 Pages, Published 1987
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 | | Queer Virgins and Virgin Queans on the Early Modern Stage
by Mary Bly
Hardcover, 224 Pages, Published 2000
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 | | The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940
by Nadine George Graves
Hardcover, 208 Pages, Published 2000, 1 Edition
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 | | Recovering Shakespeare's Theatrical Vocabulary
by Alan C. Dessen
Hardcover, 297 Pages, Published 1995
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 | | Scenery for the Theatre: The Organization, Processes, Materials, and Techniques Used to Set the Stage
by Harold Burris-Meyer
Hardcover, Published 1972, 2nd/Rev Edition
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 | | Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible (Cambridge Studies in Renaissance Literature and Culture)
by Celia R. Daileader
Hardcover, 208 Pages, Published 1998
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 | | Classical Dance and Theatre in South-East Asia
by Jukka O. Miettinen
Hardcover, 228 Pages, Published 1993
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 | | Chicano Drama: Performance, Society and Myth (Cambridge Studies in American Theatre and Drama)
by Jorge Huerta
Hardcover, 224 Pages, Published 2000
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 | | Tennessee Williams and Elia Kazan: A Collaboration in the Theatre
by Brenda Murphy
Hardcover, 217 Pages, Published 1992
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