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 |  | Advanced Acting: Style, Character, and Performance by Robert Cohen Hardcover, 272 Pages, Published 2001, 1 Edition
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 |  | Theatrical Legitimation: Allegories of Genius in Seventeenth-Century England and France by Timothy Murray Hardcover, 304 Pages, Published 1987
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 |  | Queer Virgins and Virgin Queans on the Early Modern Stage by Mary Bly Hardcover, 224 Pages, Published 2000
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 |  | The Royalty of Negro Vaudeville: The Whitman Sisters and the Negotiation of Race, Gender and Class in African American Theater 1900-1940 by Nadine George Graves Hardcover, 208 Pages, Published 2000, 1 Edition
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 |  | Recovering Shakespeare's Theatrical Vocabulary by Alan C. Dessen Hardcover, 297 Pages, Published 1995
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 |  | Scenery for the Theatre: The Organization, Processes, Materials, and Techniques Used to Set the Stage by Harold Burris-Meyer Hardcover, Published 1972, 2nd/Rev Edition
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 |  | Eroticism on the Renaissance Stage: Transcendence, Desire, and the Limits of the Visible (Cambridge Studies in Renaissance Literature and Culture) by Celia R. Daileader Hardcover, 208 Pages, Published 1998
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 |  | Classical Dance and Theatre in South-East Asia by Jukka O. Miettinen Hardcover, 228 Pages, Published 1993
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 |  | Chicano Drama: Performance, Society and Myth (Cambridge Studies in American Theatre and Drama) by Jorge Huerta Hardcover, 224 Pages, Published 2000
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 |  | Tennessee Williams and Elia Kazan: A Collaboration in the Theatre by Brenda Murphy Hardcover, 217 Pages, Published 1992
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