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 | | Neo-Avantgarde and Culture Industry: Essays on European and American Art from 1955 to 1975 (October Books)
by Benjamin H. D. Buchloh
Hardcover, 628 Pages, Published 2001
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 | | Kierkegaard on Art and Communication
by George Pattison (Editor)
Hardcover, 189 Pages, Published 1992
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 | | Kant and the Claims of Taste
by Paul Guyer
Hardcover, 448 Pages, Published 1997, 2 Edition
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 | | Bakhtin and the Visual Arts (Cambridge Studies in New Art History and Criticism)
by Deborah J. Haynes
Hardcover, 237 Pages, Published 1996
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 | | The Aesthetics of Enchantment in the Fine Arts (Analecta Husserliana)
by M. Kronegger (Editor)
, A-T. Tymieniecka (Editor)
Paperback, 352 Pages, Published 2000, 1 Edition
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 | | Biographia Literaria (2 volumes)
by Samuel Taylor Coleridge, J. Shawcross (Editor)
Hardcover, 704 Pages, Published 1907
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 | | Adorno: A Critical Reader (Blackwell Critical Reader)
by Nigel C. Gibson (Editor)
, Andrew Rubin (Editor)
Hardcover, 464 Pages, Published 2002
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 | | Sexuality, Curiosity, Fear, and the Arts: Biology of Aesthetics (New Studies in Aesthetics)
by Milton D. Heifetz
Hardcover, 130 Pages, Published 2001
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 | | Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment (Modern European Philosophy)
by Henry E. Allison
Hardcover, 440 Pages, Published 2001, 1 Edition
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 | | Nietzsche, Philosophy and the Arts (Cambridge Studies in Philosophy and the Arts)
by Salim Kemal (Editor)
, Ivan Gaskell (Editor)
, Daniel W. Conway (Editor)
Hardcover, 367 Pages, Published 1998
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