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Texas A&M University - SPRING 2011 | ||
Section 500 | ||
 | The Producer as Composer: Shaping the Sounds of Popular Music (The MIT Press) (1st Edition) by Virgil Moorefield Paperback, 168 Pages, Published 2010 ISBN-10: 0-262-51405-2 / 0262514052 ISBN-13: 978-0-262-51405-7 / 9780262514057 In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin | |