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Indiana University Bloomington - SPRING 2011 | ||
Section 29268 | ||
 | Sensorium: Embodied Experience, Technology, and Contemporary Art (The MIT Press) (1st Edition) by Caroline A. Jones (Editor), Bill [Contributor] Arning, Marjory [Contributor] Jacobson, Yuko [Contributor] Hasegawa, Joe [Contributor] Haldeman, Jane [Contributor] Farver, Bruno [Contributor] Latour, Mark [Contributor] Doty, Michael [Contributor] Bull, Donna [Contributor] Haraway, Stephen [Contributor] Wilson, Amelia [Contributor] Jones, Constance [Contributor] Classen, Peter [Contributor] Lunenfeld, Caroline [Contributor] Bassett, Yvonne [Contributor] Rainer, Peter [Contributor] Galison, Joseph [Contributor] Dumit, Martin [Contributor] Jay, Jonathan [Contributor] Crary, Sherry [Contributor] Turkle, Hiroko [Contributor] Kikuchi, Michel [Contributor] Foucault, Neal [Contributor] Stephenson, Chris [Contributor] Csikszentmihályl, Zeynep [Contributor] Çelik, William [Contributor] Gibson, Michael [Contributor] Swanwick, Barbara Maria Stafford, Stephen M. Kosslyn, William J. Mitchell, Thomas Y. Levin Paperback, 268 Pages, Published 2006 ISBN-10: 0-262-10117-3 / 0262101173 ISBN-13: 978-0-262-10117-2 / 9780262101172 The relationship between the body and electronic technology, extensively theorized through the 1980s and 1990s, has reached a new technosensual comfort zone in the early twenty-first century. In Sensorium, contemporary artists and writers explore the i | |