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Chapman University - 2012 Fall Chapman Annex | ||
Section 01 | ||
 | Artificial Hells: Participatory Art and the Politics of Spectatorship by Claire Bishop (Editor), Roland [Contributor] Barthes, Umberto [Contributor] Eco, Guy [Contributor] Debord, Allan [Contributor] Kaprow, Graciela [Contributor] Carnevale, Joseph [Contributor] Beuys, Lygia [Contributor] Clark, Dirk [Contributor] Schwarze, Adrian [Contributor] Piper, Eda [Contributor] Cufer, Jeremy [Contributor] Deller, Group Material [Contributor], Thomas [Contributor] Hirschhorn, Rirkrit [Contributor] Tiravanija, Nicolas [Contributor] Bourriaud, Hal [Contributor] Foster, Molly [Contributor] Nesbit, Peter [Contributor] Bürger, Édouard [Contributor] Glissant, Félix [Contributor] Guattari, Jacques [Contributor] Rancière, Hélio [Contributor] Oiticica, Carsten [Contributor] Höller, Lars Bang Larsen, Jean-Luc Nancy, Collective Actions Group, Hans-Ulrich Obrist, Iwona Blazwick (Series Editor), Jacques [Contributor] Ranciã¨Re, The Mit Press Paperback, 208 Pages, Published 2006 ISBN-10: 0-262-52464-3 / 0262524643 ISBN-13: 978-0-262-52464-3 / 9780262524643 The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Alla | |