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![]() | The Hasselblad Manual, Fifth Edition by Ernst Wildi ISBN-10: 9780240803852 ISBN-10: 0-240-80385-X ISBN-13: 9780240803852 ISBN-13: 978-0-240-80385-2 Hardcover 1999-12 Focal Press Find Lowest Price | |
Editorials | ||
Book Description The Hasselblad Manual, meticulously presents all the information you need to operate this camera system, including useful insights on systems ranging from the oldest Hasselblad camera, the 1600F, to the latest models with built-in metering and dedicated flash systems. This new edition gives you the technical information to keep you up-to-date. Readers will delve into the camera's enormous potential by examining their comprehensive range of lenses and accessories. Presented in an easily accessible format, this book shows not only the working and manipulation of individual cameras, but also gives insight into the ways in which these superb cameras, and the ancillary equipment, may be best applied. Detailed illustrations of the system dissect the equipment to show how it functions. The Hasselblad Manual also includes 80 photographs from well-known photographers, illustrating different photographic techniques using a Hasselblad camera. Completely updated throughout to reflect the current Hasselblad line of cameras and accessories Provides useful insights on systems ranging from the oldest to the latest models Shows the manipulation and best application of individual cameras in different situations | ||
Reviews | ||
Informative but Touting the Company Line The book is pretty informative in explaining the Hasselblad world. However some of his recommendations given with no rational (Example - he does not recommend using thrid party dark slide keepers for older film backs, but does not say why.) which leads one to think that he is just parotting the company line. Every single photo example is of his own photos. It would be more ueful to see a variety of diefferent photographers' work. | ||
Good not great This book is okay for the novice Hasselblad user, of which I am one. Since it tries to be all things to all people, you have to wade through a lot to find what you are looking for. More than a bit pricy for what it is. | ||
Very dissapointing! I bought this based upon other reviews. I was grossly dissapointed. This book is a product of the 60s - 70s that's been added to as Hassleblad releases new lines. How can a $60 USD book on Hasselblad contain NO photographs of any Hasselblad equipment? It's all line drawings and the better part of them are relatively primative based on today's standards. The book does cover most of the body lines and accessories. But I found the narrative to be brief and the accompanying illustrations to be difficult to see - especially for the older gear. The book covers some technique but I didn't buy this book to learn technique. If you've ever used a Magic Lantern camera guide you'll think you've bought an antique with this book. I immediately returned this book. | ||
Disappointed This is a great book if you have new or nearly new hasselblad equipment. Example of lack of details are very little information about the older prisem finders and he does not even mention the 21 mm extension tube, which by the way works great with my 80 cf lens. He sounds like he works for Hasselblad often mentions you should upgrade your equipment. Did have a good section on flash and exposure though. I am now looking to buy an older book from ebay that covers the older hasselblad stuff with proper details. | ||
The standard Hasselblad book Hasselblad cameras have good and bad points. The good points are that they are, through longevity and marketing as well as other qualities, the standard in pro medium format photography, and Hasselblad system items can be rented worldwide: they are reasonably durable, have good optical quality, and lots of system accessories are available. No other medium format system boasts a fifth of all the various items available for the Hasselblad system. Because they are the standard most photographers understand them. Because working pros favor them, prestiege buyers, wannabes, and dilettantes do so as well. The downside is that they are heavy, noisy, expensive (especially for the lenses which are not so much better than their Japanese counterparts), and can be damaged easily by careless or untutored handling: they are somewhat awkward: and their 6x6 cm format is simply out of sync with standard print sizes (with a 1.2:1 aspect ratio) or 35mm practice (1.5:1), leading to never utilizing the whole negative in practice. This volume is to all intents and purposes the official unofficial Hasselblad manual of practice. You are getting "100% Standard Tech" here:this is the fountainhead of Hasselblad doctrine. If you've committed to using Hasselblad cameras the Hasselblad way, this book shows you how to do it. You won't find any criticism of any current Hasselblad equipment or any objective "vis-a-vis" here. If you are looking into whether or not you should choose Hassselblad, this book is essential provided you keep the above in mind. Other books will provide information on other systems. Hasselblad is definitely not for everyone, even everyone without financial impediments to doing so. Large format, 35mm, other MF SLRs and the classic twin lens reflex are all better choices for some uses-and users. However, if you want a visually conspicuous status symbol, it's tough to go very wrong with Hasselblad. | ||