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 | | The Rhetoric of the Body from Ovid to Shakespeare (Cambridge Studies in Renaissance Literature and Culture) by Lynn Enterline ISBN-10: 9780521624503 ISBN-10: 0-521-62450-9 ISBN-13: 9780521624503 ISBN-13: 978-0-521-62450-3 Hardcover 2000-05-22 Cambridge University Press Find Lowest Price |
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Product Description This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline analyzes what happens when Renaissance authors revisit Ovid's stories of violence and desire, paying close attention to the ways in which his subversive representations of gender, sexuality and the body influence later conceptions of the self and erotic life. This vividly original book makes a profound contribution to the study of Ovid's presence in Renaissance literature. | ||
Book Description This persuasive book describes the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline analyses what happens when Renaissance authors revisit Ovid's stories of violence and desire, paying close attention to the ways in which his subversive representations of gender, sexuality and the body influence later conceptions of the self and erotic life. This vividly original book makes a profound contribution to the study of Ovid's presence in Renaissance literature. | ||
Download Description This persuasive book analyses the complex, often violent connections between body and voice in Ovid's Metamorphoses and narrative, lyric and dramatic works by Petrarch, Marston and Shakespeare. Lynn Enterline describes the foundational yet often disruptive force that Ovidian rhetoric exerts on early modern poetry, particularly on representations of the self, the body and erotic life. Paying close attention to the trope of the female voice in the Metamorphoses, as well as early modern attempts at transgendered ventriloquism that are indebted to Ovid's work, she argues that Ovid's rhetoric of the body profoundly challenges Renaissance representations of authorship as well as conceptions about the difference between male and female experience. This vividly original book makes a vital contribution to the study of Ovid's presence in Renaissance literature. | ||