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![]() | Joseph Andrews and Shamela (Oxford World's Classics) by Henry Fielding, Thomas Keymer (Editor) ISBN-10: 9780192833433 ISBN-10: 0-19-283343-X ISBN-13: 9780192833433 ISBN-13: 978-0-19-283343-3 Paperback 1999-11-11 Oxford University Press, USA Find Lowest Price | |
Editorials | ||
Product Description Henry Fielding wrote both Joseph Andrews (1742) and Shamela (1741) in response to Samuel Richardson's book Pamela (1740), of which Shamela is a splendidly bawdy travesty. Joseph Andrews begins as a parody, too, but soon outgrows its origins, and its deepest roots lie in Cervantes and Marivaux. In both stories, Fielding demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from the second edition of Richardson's Pamela and Conyers Middleton's Life of Cicero, which is also closely parodied in Shamela. This Oxford World's Classics edition also features a new introduction by Thomas Keymer which situates Fielding's works in their critical and historical contexts. | ||
Reviews | ||
unreservedly recommended So I was getting ready to reread Don Quijote (1605)(Miguel de Cervantes 1547-1616) in the excellent Burton Raffel translation and as I was looking for information about the book and author, saw repeated references to Fielding's Joseph Andrews. I'd read his Tom Jones a couple of years ago and found it kind of tough sledding, but when I stumbled upon this one at a library book sale for a quarter, it seemed a stroke of destiny. The parallels with Don Quijote are readily apparent. First of all, the book consists of a series of humorous travel adventures; second, the travellers involved seem too innocent to survive in the harsh world that confronts them. When Joseph Andrews, the naive footman of Lady Booby, deflects the amorous advances of both her Ladyship and Slipslop, the Lady's servant, he is sent packing. Upon his dismissal, Joseph, along with his friend and mentor Parson Adams, an idealistic and good-hearted rural clergyman, who essentially takes the physical role of Sancho Panza but the moral role of Quijote, sets out to find his beloved but chaste enamorata, Fanny Goodwill, who had earlier been dismissed from Lady Booby's service as a result of Slipslop's jealousy. In their travels they are set upon repeatedly by robbers, continually run out of funds and Adams gets in numerous arguments, theological and otherwise. Meanwhile, Fanny, whom they meet up with along the way, is nearly raped any number of times and is eventually discovered to be Joseph's sister, or maybe not.. The whole thing concludes with a farcical night of musical beds, mistaken identities and astonishing revelations. I've seen this referred to as the first modern novel; I'm not sure why, in light of it's obvious debt to Cervantes. But it does combine those quixotic elements with a seemingly accurate portrayal of 18th Century English manners and the central concern with identity and status do place it squarely in the modern tradition. At any rate, it is very funny and, for whatever reason, seemed a much easier read than Tom Jones. I recommend it unreservedly. GRADE: B+ | ||