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 | | Consequences of Enlightenment (Literature, Culture, Theory, 30) by Anthony J. Cascardi ISBN-10: 9780521481496 ISBN-10: 0-521-48149-X ISBN-13: 9780521481496 ISBN-13: 978-0-521-48149-6 Hardcover 1999-02-28 Cambridge University Press Find Lowest Price |
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Product Description What is the relationship between contemporary intellectual culture and the European Enlightenment? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues that postmodern culture does not reject Enlightenment beliefs and explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel and Wittgenstein. He reverses the tendency to see art simply in terms of the worldly practices among which it is situated. Aesthetic objects, he argues, are themselves capable of disclosing truth. | ||
Book Description What is the relationship between contemporary intellectual culture and the European Enlightenment? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues that post modern culture does not reject Enlightenment beliefs and explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel and Wittgenstein. He reverses the tendency to see art simply in terms of the worldly practices among which it is situated. Aesthetic objects, he argues, are themselves capable of disclosing truth. | ||
Download Description What is the relationship between contemporary intellectual culture and the European Enlightenment it claims to reject? In Consequences of Enlightenment, Anthony Cascardi revisits the arguments advanced in Horkheimer and Adorno's seminal work Dialectic of Enlightenment. Cascardi argues against the view that postmodern culture has rejected Enlightenment beliefs and explores instead the continuities contemporary theory shares with Kant's failed ambition to bring the project of Enlightenment to completion. He explores the link between aesthetics and politics in thinkers as diverse as Habermas, Derrida, Arendt, Nietzsche, Hegel, and Wittgenstein in order to reverse the tendency to see works of art simply in terms of the worldly practices among which they are situated. | ||