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 | | Toms, Coons, Mulattoes, Mammies & Bucks: An Interpretive History of Blacks in American Films by Donald Bogle ISBN-10: 9780826412676 ISBN-10: 0-8264-1267-X ISBN-13: 9780826412676 ISBN-13: 978-0-8264-1267-6 Paperback 2001-12 Continuum Find Lowest Price |
Editorials | ||
Product Description Completely updated and greatly expanded to include the explosion of black film stars and filmmakers that came out of the '70s and '80s, this comprehensive guide covers the entire history of African-Americans in films, from the shocking images in Birth of a Nation to Spike Lee's controversial Malcolm X. Photos. Index. | ||
Reviews | ||
The History of Blacks In Film Whew! This is not a book to be read in one sitting. This is 433 pages chock-full of the history of Black actors/actresses in film. From the humble beginnings of actor James B. Lowe in Uncle Tom's Cabin to the current mass appeal of Samuel L. Jackson and Morgan Freeman, Bogle takes us on an wonderfully detailed journey that chronicles the contributions of Black actors/actresses in film. Of course, Bogle's book includes those well-known films from the bygone era, but he also notes those little known films that featured Blacks playing roles that, in most instances, were the stereotypical tom and mammy, but allowed Blacks to at least get a foot in the door to make inroads to the current day Hollywood. After reading this, you'll likely want to hit up the nearest video store to pick-up some movies that you've never seen or seen before to determine whether you now view them in a different light. | ||
Politically Incorrect Title hides masterful intro to rich history of Negroes in Film Have you ever seen Green Pastures, or Hallelujiah, or any of the other Studio made films of the Golden Age that feature all black casts? I have. Have you ever seen any of the Independent Films with all black casts made during the same period, but only seen in theatres catering to black audiences? I have, sadly, not. This book opened my eyes. Forget the familiar actors of the 80's to the present day, even the great ones, this book will open your eyes to the rich heritage of black actors, and film, between 1955 and 1975, but more importantly it will reveal to you the complicated, yet glorious, world of these films, and actors, in the Golden Age of film. If you belong to Netflix, or some other similar service then search out the films, and actors mentioned here if they are available and rent their films. You will not be disappointed. | ||
Do Justice I strongly encourage the true depiction of all early cinematic protrayals of African-Americans, and other non-white categories as they were. We have to let our younger generations of future stars know that some roles have a negative effect and dont show us "Do Justice". This is why we need more Cinematic Historians and Oscar Micheax & Spike Lee role models... Ed Davis, M.A. Instructor of History Pulaski Technical College | ||
One of the Best Books I have read This is perhaps the GREATEST book accounting the plight of Blacks in film. I read this book for a class titled "Blacks in the Electronic Media" during undergrad. After reading this book and watching television, I honestly felt as if I were let out of the "Matrix." To this day, I can not watch television and not be critical of whats being aired. These charatcters are very visible today at this very moment. If you want a deep experience and to fully understand whats on the television and the movie screen, BUY THIS BOOK! | ||
Bogle is the mole! Why not add the "n" word to that title? Bigoted and racist title for a book about talented blacks, their deserving of a more honorable title since they were called these racist nicknames all their lives and had to be these stereotypes to show their talent, but he can get away with naming a book as he has this one because he's Black, I'm sure if a white did the same, the NAACP will jump on him. Bogle suppose to lift Blacks up not put them down. Here's a long but informative review! Naturally since Bogle is the only one writing about early Black film stars people believe everything he says. He plays it safe by always talking about the same ole' stars that he talked about in his last books. Never does he introduce the public to unsung talents we never heard of. He spends most of the time talking about how mulatto, how light or how dark such and such is and how such and such couldn't do this or that because of this or that. When whites write on their stars they don't write about how blonde, how brunette or how red head someone was and how Irish or Italian one looked. Which proves how stuck on skin color Blacks really are! Why do Blacks feel they always have to spend time talking about race instead of giving these stars their recognition and due, forgetting how they look and telling of their life and versatile careers, who they really were, where they come from, making one reading feel like they knew the person all their lives, make one feel the happiness and sadness. Bogle spends more time on what they didn't do then what they did do. Which is sad, the public is missing out on a lot. So again, do for yourself the research and don't' depend on others all the time. Bogle loves talking about how white Fredi Washington looked instead of writing about her extensive, incredible career, she done more in her life then most of us could dream about it, she didn't let others prejudices hold her back. She was no tragic mulatto, another stupid name, minus well call Stepin Fetchit a tragic ni**er which he wasn't, he was the first black millionaire and no more of a stereotype then Black pimps, gangsters of today who are getting rich off of it like Step got rich off of his stereotype. Fredi will be the first to say she had a great life and career. She wasn't sad or confused but a strong black woman. Bogle is no better than a white writer who puts down a black but thinks its okay to coin a book Toms, Coons, Mulattoes, Mammies and Bucks because he's black, I'm sure if a white titled a book that we be yelling racism, don't Black talents deserve a better title? Bogle also plays it safe by always talking about Lena Horne and Dorothy Dandridge, never telling the stories and never giving recognition to other black actresses like Nina Mae McKinney, Mildred Washington, Theresa Harris, Fredi Washington, Edna Mae Harris, Florence O'Brien, Louise Franklin, Daisy Bufford, Jeni LeGon Evelyn Preer, Suzette Harbin, Hilda Simms, Francine Everett, Shirley Haven and countless of others who had a chance to display their talents on the screen in Hollywood and helped fight discrimination and help in the enhancement and betterment of blacks on screen but he gives all the credit to Horne and Dandridge, who didn't do as much as others if you want to get down to the truth, but I'm glad he don't talk about them in a way because he'll butcher up their life stories, I'll give them their due though. Many aren't remembered because maybe they didn't do as much, who cares about who has done more, were suppose to be remembering them for accomplishments and talents, right? White film historians sure remember all their stars, little or big. Someone like Louise Brooks, considered a early Hollywood icon is highly regarded as a great actress despite she only had a few good films and wasnt a big movie star. The woman is more remembered for one good film and a bobbed hairstyle but white historians will make sure you know her, her achievements and what she DID DO for the film industry. Why can't Bogle be like that instead of criticizing everyone and judging them by white people's standards of what success and beauty is? I guess it's true that you gotta work twice as hard as whites to be someone in this world, whites can be remembered for little things, few successes, Blacks gotta have many successes to get rememberance and recognition even for other Blacks to remember them. Bogle is one of the few black film historians, you would think he would write more positively of blacks in Hollywood but he treats many worse then whites treated them when they were alive. Bogle never mentions Willie Covan and Marie Bryant (and appeared in movies also and was a good friend of Lena Horne's too) who choreograhed many white stars, they were behind the scenes but contributed to Hollywood. He suppose to be giving credit not taking away. Either Bogle is too lazy or likes to show favoritism because he sure won't tell other unsung talents stories. If he does he clutter it up with talking about their looks especially if he doesn't know how to write about them. Bogle knows nothing about the great career of Nina Mae McKinney, the first movie star of Hollywood and Europe, who done more films then any other black actress of her time, the first to appear on many magazines, she had so many achievements, yet he gives her one little page, if you don't know about a person, I rather you not write about them at all then to write lies. He never talks about the Black Cinema independent movie stars or the industry who was apart of American cinema, I guess their too hard for him to research, so he takes the easy path in writing about stars he already wrote about a million times. He never writes about Ethel Moses, Francine Everett, Dorothy Van Engle, Edna Mae Harris, Margaret Whitten, Tomiwitta Moore, Bee Freeman, Lorenzo Tucker, Monte Hawley, Ralph Cooper (created the first black studio in Hollywood), Oscar Micheaux, Spencer Williams and countless other black movie stars who appeared in films for blacks made by blacks in the 30's and 40's, I guess that's too mediocre for him but they done more for the enhancement of Blacks in movies by creating their own images, own roles, own portrayals, playing people from all walks of life unlike ones in Hollywood who were stuck playing the same types of roles and being the same images he always complaining about well I feel give due to ones who at least tried to do for themselves and become what they wanted but see they weren't cross-overs so their looked at as non-important by some which kind of dictated by whites who we should remembered and who's important. It's hard researching Black Cinema stars but boy it's worth it plus studying them, watching them perform gives you a good idea of who they were even if you can't find info on them. I still find the time to give them due and I'm no professional or anything but Bogle is a high class guy who only likes to write about Hollywood and his favorite gals Horne and Dandridge. Ive done more research on unsung, forgotten stars then he has and it has been pleasurable teaching others on the net about blacks who contributed to stage and screen, stars who were just as important as Dandridge and Horne. I'm glad there are other people who are taking it upon themselves to tell the true stories of many unsung black legends and don't write in the same fashion as Bogle. Anyone who is hung up on skin color and don't want to think outside the box and like to hear the same stories then Bogle is for you but someone like me who researched many early black stars of stage and screen on my own and found out the real deal, found how they really were, found how they were really looked at, and found the true stories wouldn't appreciate Bogle's work much. I've talked with some legendary Blacks of the early years, some of their relatives also and they gave a completely different view then how Bogle describes them which shows he just goes by hearsay and documents and don't do accurate interviewing and researching. I would think Bogle would spend more time on talking about the beauty of black women from dark to light and their wonderful achievements to the world. Black women are quite unique but instead Bogle tells the story of black women from white people's perspective it seems, he tells how black women were looked at from whites perspective not from a true black person's perspective that has pride for his race, maybe Bogle has a white person's way of thinking who is partial. Because I would commend these women, embrace and make the world embrace their beauty, courage, and talents; their many gifts to the world isn't as nearly written about as their skin tones are. He loves spending time writing about how light, dark or mulatto someone looks. Again, he makes it seem like such and such suffered because she was mulatto, light or dark, come on man, if she had a tragic life it was her own fault if she suffered. He makes it seem like color and race was the problem for everything which is false, actually many of these women profited from the race sometimes and plus women in general face discrimination, no matter what race or color. Don't you think these women went through enough being judged by skin tone or looks, they wished in their life for being to judge their talent, at least give them that now, Bogle doesn't. Who isn't discriminated against in this world? Bogle makes it look like Black is a curse when these female performers change the world and introduce the world to their greatness and the greatness of the race. He loves talking about whether someone should of passed for white or not like when he's talking about the great Fredi Washington. He misses out on showcasing other great talents like Valaida Snow, Blanche Calloway, Una Mae Carlisle, Eunice Wilson, Adelaide Hall and others but that's okay because they have been written beautifully about by other writers. Well, many are dead so they cant stick up for themselves and Bogle takes advantage of that, he hasn't even interviewed or actually talked to ones who he writes about, he just goes by hearsay. Have your favorites but when you write a book, you can't show favoritism which he does all through which hurts others who has a story to tell but he only give honor to his faves. It seems no black can make him happy, he always has something to criticize. In his words every Black woman is a tragic, confused mulatto and every black man is a coon, or some other stereotype, he wouldn't say that to the young black guys or gals in entertainment today though, he takes advantage of the dead who can't stick up for themselves. There is a website on unsung black talents of stage and screen, you all will enjoy. http://www.angelfire.com/jazz/ninamaemckinney/ | ||