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![]() | Janet Whittle's Watercolour Flowers: An Inspirational Step-by-Step Guide to Colour and Techniques by Janet Whittle ISBN-10: 9781844481323 ISBN-10: 1-84448-132-8 ISBN-13: 9781844481323 ISBN-13: 978-1-84448-132-3 Hardcover 2007-07-28 Search Press Find Lowest Price | |
Editorials | ||
Product Description The vibrant colors and imaginative compositions that characterize Janet Whittle's paintings are showcased in this charming collection of watercolors. Whittle explains her evocative use of color in accompanying passages and details the numerous creative techniques she employs for capturing the beauty of flowers, including negative painting, masking, lifting out, and glazing. Novice painters and experienced artists alike will benefit from a series of instructional step-by-step projects and photographs. Special tips are also provided on how to capture light and shadow and how to create an overall harmony within a piece. | ||
Reviews | ||
An outstanding, easy approach beginners will appreciate. Any who would watercolor flowers needs Janet Wittle's Watercolour Flowers, an inspirational guide to color and techniques which assumes no prior knowledge of watercolor. Pages packed with color are perfect for general-interest lending libraries where art is an attraction, and show how to produce professional results, from combining species of flowers to best effect to a series of reference paintings from black and white patterns to finished projects for individual flowers. An outstanding, easy approach beginners will appreciate. Diane C. Donovan California Bookwatch | ||
Watercolour flowers This book has the most beautiful pencil drawings that compliment or preceed the vibrancy of the paintings. The compositional elements are excellent and the book covers a range of flowers that jump out of the page because of the background techniques. Thanks. | ||
Watercolor techniques for floral subjects If you like painting floral subjects, Janet Whittle's method may be of interest to you. Starting with masked subject areas and dropping in pure colors, Whittle creates a lively, mottled background and then goes on to paint negative spaces around leaves and background flowers. This gives the effect of distant leaves and petals in shadow. Then the main flowers are painted in, dropping colors into the center, shadowing petals and adding detail to stamens, pistils and other structures. The good thing about this technique is it makes effective bouquet subjects. The bad thing is that the technique leads to somewhat of a sameness to every painting. In this book, the author adds vases, pots and other subjects to the still life, which helps. If you have this book, you probably don't need any of the others as this one is more comprehensive. I don't feel inspired to copy this technique, but there are worthwhile tips to absorb in handling iris especially. | ||